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Nicolas Poussin Winter oil painting


Winter
Painting ID::  10134
Nicolas Poussin
Winter
1660-64 Oil on canvas, 118x160 cmLouvre

   
   
     

Nicolas Poussin The VIrgin of the Pillar Appearing to ST James the Major (mk05) oil painting


The VIrgin of the Pillar Appearing to ST James the Major (mk05)
Painting ID::  20366
Nicolas Poussin
The VIrgin of the Pillar Appearing to ST James the Major (mk05)
Canvas,118 1/2 x 95 1/4''(301 x 242 cm)Acquired from the Duc de Richelieu for Louis XIV in 1665

   
   
     

Nicolas Poussin The Inspiration of the Poet (mk05) oil painting


The Inspiration of the Poet (mk05)
Painting ID::  20469
Nicolas Poussin
The Inspiration of the Poet (mk05)
Canvas,72 x 84''(183 x 213 cm)Acquired in 1911

   
   
     

Nicolas Poussin E-cho and Narcissus (mk05) oil painting


E-cho and Narcissus (mk05)
Painting ID::  20471
Nicolas Poussin
E-cho and Narcissus (mk05)
Canvas,29 1/4 x 39 1/4''(72 x 100 cm).Collection of Louis XIV Echo and Narcissus (mk05)

   
   
     

Nicolas Poussin The Triumph of Flor (mk05) oil painting


The Triumph of Flor (mk05)
Painting ID::  20475
Nicolas Poussin
The Triumph of Flor (mk05)
Canvas,65 x 95 ''(165 x 241 cm)Collection of Louis XIV;acquired in 1685

   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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